While the 5D Mark IV does support HDMI out, it is limited to 1080P, and there is not a true neutral profile (C-LOG) that provides the kind of footage that filmmakers most value. The 4K framerate options are limited to 24 and 30FPS with no 60FPS option (which the 1Dx Mark II does have). The 4K footage does look quite good.
Though the 5D Mark 3 will surely have better image quality in video mode and a headphone jack for audio monitoring, the 5D Mark II now has the VAF-5D2 for better image quality, and audio monitoring with ML via the AV-jack – so for some it might be better to save the money, stick to the 5D Mark II, apply Magic Lantern and buy the VAF-5D2 instead.
Filmed with my brand new (and old) 5D Mark III in 4K Raw continuous at 10bit lossless (3840 x 1440). I used the Experiemtal Build "crop_rec_4k_mlv_snd_isogai
The 6D Mark II can shot 1080p at 60fps max, avoiding the current 4K trend – something Canon is keen to reserve for its higher-end C-series video-focused DSLR cameras, such as the C300.
Unlike the 5D Mark IV which captured 4K DCI (4096 x 2160) video using Motion JPEG, the EOS R offers 4K UHD (3840 x 2160) recording using H.264 but still only up to 30fps -- no 4Kp60 unfortunately
The R5 features Canon’s latest Dual Pixel CMOS AF II system, which is faster and more accurate than the original Dual Pixel CMOS AF found in the EOS 5D Mark IV. The EOS R5 can also detect and track the eyes and faces of animals, which can be useful for wildlife photography.
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canon 5d mark ii 4k
